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a boy’s own story

Last week Conn Iggulden became the first writer in publishing history to take a book to the top of both the fiction and non-fiction bestseller lists. His Wolf of the Plains, about the inexorable rise of Genghis Khan, and The Dangerous Book for Boys, a how-to guide to lost boy scout skills such as tying knots, identifying the stars and making a bow and arrow, may be different in genre, but they share, as Iggulden’s editor at HarperCollins put it, a “feeling of comradeship and adventure”.

In related news, boxing clubs are enjoying a surge in popularity, to the delight of Royal Navy recruitment,

who point out that boxing fosters “self-discipline, hard work, outstanding fitness, courage and team work - just the sort of qualities that we look for in potential recruits”.

It feels as if we’re in the midst of one of those great cyclical cultural shifts; a moment when we begin to think that the stiff upper lip was not such a bad thing after all, that manliness isn’t a silly retro Glen Baxter-style joke, but important and necessary, and that, frankly, they should bring back national service.

Part of the trouble with the new men who became ever more feminised (I know, I

know, we keep changing our minds) is that they lost their USP, those specifically masculine traits and talents which make men different and therefore desirable.

But the uncomfortable corollary is to ask what precisely is the USP of those disaffected young men who roam the streets tanked up on testosterone? Why, fighting our wars for us, of course. Which, given the times we live in, might explain the aforementioned ‘menaissance’ in the trad male virtues.

SHE’S GOTTA HAVE IT