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‘Untitled # 136 (Foxes)’, Simen Johan, 2006, from the series Until the Kingdom Comes © Simen Johan, Courtesy Yossi Milo Gallery, New York

The wild side of Simen Johan

Simen Johan contravenes almost every rule of normal wildlife photography. Far from being a documentary photographer who observes and records animals in their natural habitat, he creates each of his images meticulously in front of a computer screen. In his ongoing series Until the Kingdom Comes, he heaps layer upon layer of digital and traditional imagery to create a rich amalgamation of fantasy and reality. Animals photographed either in the wild, in captivity or even as taxidermy are then superimposed onto artificial landscapes that have fairytale or often post-apocalyptic connotations. Oddly – or perhaps intentionally - the results say more about human interference than they do about animals.

Holly Kyte 

FIRST POSTED SEPTEMBER 16, 2009
‘Until the Kingdom Comes’ by Simen Johan at Yossi Milo Gallery, 525 West 25th Street, New York until October 31, 2009. Above: ‘Untitled # 136 (Foxes)’, Simen Johan, 2006, from the series Until the Kingdom Comes © Simen Johan, Courtesy Yossi Milo Gallery, New York

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